Showing posts with label IAR221. Show all posts
Showing posts with label IAR221. Show all posts

Friday, April 27, 2012

Unit Summary 3: Exploration

Unit Summary 3: Exploration

     During the Exploration section of our history class we have constantly been introduced to the idea of  a need to look ahead in design, while still remembering the past. While Examining the Exploration section, a period spanning from roughly 1850 to the present, we see the consent search for what design truly is continued. With the new technological advance of the twentieth century coupled by the spread of such advances through World Design Fairs, the sky was the limit for design. As a result, many definition of what "good design" is arose.
Arts and Crafts Staircase


     One such design movement that arose during this period was the Arts and Crafts ( 1860-1920). The Arts and Crafts movement was, like most movements, a direct  counter response  to the machine.In fact, the Arts and Crafts, proposed that design look back at how  the Gothic architecture was a "good design" because it was handmade (Roth, p 493). Classic exteriors of an Arts and Crafts home would be simple in design. Interiors would be splashed with wooden molding, wooden built-in, and even wooden floors ( Roth, 493). Because each piece is made by hand the time and cost are considerably greatly then machine made goods and were not affordable to a large consumer base. Thus, continuing the search for what is "good design"?
Casa Batllo, Barcelona.



      In 1910 , Art Nouveau began to rise in Europe. The design of Art Nouveau continued to emphasize the importance of hand made design. However, in contrast to the Arts and crafts movement, Art Nouveau was very elaborate in surface detail.The design or form began to out way the function- thus coupled with the higher cost of hand made work  , Art Nouveau too fell to the machine.Another art influence movement known as Art deco was introduced to architecture around the 1920s. Art Deco, similar to the Gothic Style, was interested in the experimentation of light. In fact,  design history professor at UNCG, Dr. Patrick lee Lucas hypothesized that it  is this consideration of interior light during the Art Deco movement that began to emphasize the important of  the interior design- thus, creating the need for the decorator!
Woolworth Building,, NY, NY


     Modernism, arguably lasting from 1914 to the present, was birthed on the idea of architecture directly expressing the character of the time ( Roth, 519). It was settled, the twentieth century was  to be known as  the " Era of the Machine". Throughout the evolution of Modernism, the function and the form have competed on order of importance. For example, during the early phase on Modernism, the design of a building was built based on a very utilitarian point of view ( Roth, 521).
Guaranty Building, Buffalo. NY



      Later, the renewed emphasis on the form leads to whats known as Sculptural Modernism ( Roth, 574).  During Sculptural Modernism were begin to hear the architecture communicate once more. Architecture take on meaning and attempts to convey such meaning to it viewers. With the emergence of numerous design movements it is still unclear as to what good design should look like.
Lyon-Satolos Terminal, Lyon, France



     During the later part of the twentieth century we enter into what is known as the hi-tech, other wise known as the Technology Era ( Roth, 574). During this time we begin to see designers once again looking back at the past with their continues of the theatrical play of light in a seemingly performing manner. With an ever evolving society, it is no surprise that we continue to try to set are selves apart from our past. However, I have found through my iARC 221 History class that it is the past that we rely so dependently for guidance.
    

WORK CITED
  • http://s1.hubimg.com/u/4497680_f520.jpg
  • http://upload.wikimedia.org/wikipedia/commons/6/6b/CasaBatllo_0170.JPG
  • http://www.nyc-architecture.com/SCC/View_of_Woolworth_Building_fixed.jpg
  • http://www.historic-structures.com/ny/buffalo/images/116403pr.jpg
  • http://i.images.cdn.fotopedia.com/flickr-3061610880-hd/Great_Architects_of_the_World/by_time_periods/21st_century/Santiago_Calatrava/Saint-Exupery-TGV_Station_Lyon.jpg
  • Roth, Leland M., Understanding Architecture, 2nd ed., Westview Press 2007.

Blog Post 14 : Object, Place, Building,and Space

Object, Place, Building,and Space

When asked to choose an Object, Place ,Building, and Space that I feel encapsulates my design  voice I choose objects that were close to home.



MY PLACE

My House, Durham, NC

I choose "My Place"  literally because I feel that my home is the first place that discovered my love for design. In fact, it was renovating and decorating my home that influenced me to enroll in iARC at UNCG.Like many of the architects/ designers we have learned about in history, I  too now consider my home to be my design playground! Over the summer I plan to implement all that first year has taught me!I just wanted to make note that I will be painting my house white with black trim this summer! Stay tuned...





MY OBJECT



My Object and new love of my life is the Pottery Barn Black and white stripe Umbrella in Sunbrella fabric I feel the that bold contrast of black and white to be a strong element found in the majority of my design. In fact, I have decided that I would like the element of black and white to be a signature trade mark of my design. I find the thick ~4 inch stripe to be visually grounding in the space .I have found that the introduction of this umbrella to my outdoor space has truly elevated my design of this space.



MY SPACE
Back yard

Chairs I upholstered


I felt that since I mentioned the space in which the umbrella was located in I might as well show it. I feel that this space represents me as a designer for one, the most obvious reason being that I designed it, but also because the signature black and white element is present. Also, like most of my designs, you will find hand upholstered pieces. Similar to the architects we have discussed in history class, I have chosen chairs and fabrics specifically for a particular space. I have chosen to include a few other spaces in my house to better emphasize my affinity for black and white in my design.
Master Bathroom

Curtains I made out of Waverly Sun 'n' Shade onyx fabric

Basement

Chair I upholstered in Waverly fabric





(NOT MY) BUILDING

San Francisco Museum Of Modern Art, San Francisco, CA. Designed By Mary Botta


San Francisco Museum Of Modern Art, San Francisco, CA

The direction I would like my design to go as a possible future architect. I had an immediate response to this building. I felt a sense of familiarity, almost has if I knew this building. I find this building to be extremely inspirational as a designer. The use of the bold, sleek black and white stripes amongst the rough finish of the brick is truly breath taking!






Work Cited
  • http://rk.pbimgs.com/pbimgs/rk/images/dp/wcm/201209/0004/img8o.jpg
  • http://ecx.images-amazon.com/images/I/5177X5CJDJL.jpg
  • http://0.tqn.com/d/architecture/1/0/F/C/sfmoma-mas.jpg

Honors Project

Honors Project


Please go to this link to view my group honors history 221 view on the history of design:

Blog Post: Extra Credit

Kermit Bailey Presents:
 Designing Place: A Framework for Multidisciplinary Exploration of Place based Narrative in South-Park, East Raleigh



Chavis Park, Raleigh, NC



     Professor at NC State University, as well as, Graphic Designer Kermit Bailey came and discussed his research and role in the exploration of South Park located in Raleigh , NC. Bailey was interested in "Mapping" out the information about why places can be so important. Through his efforts of understanding Bailey, along with his research aids, gave the residents of South Park smart phones in which they were to record places which held a specific value.The smart phones were outfitted with GPS, which allowed Bailey to track the narrative of the user. Through such data collects, as well as, through personal interviews Bailey is interested in better understanding the ideals or beliefs of the  South Park community. In fact, it is hypothesized that through identity, branding and preservation occurs. Therefore, becoming a self sustainable or self renewing community.




Chavis Park, Raleigh, NC









Work Cited
  • http://www.raleighpublicrecord.org/wp-content/uploads/2010/02/chavispark1.jpg
  • http://goodnightraleigh.com/uploaded_images/1950sCarousel.jpg

Thursday, April 26, 2012

DA4: Fusing of A Bicycle and A Wingback Chair

DA4: Fusing of A Bicycle and A Wingback Chair



I built what I believe a Wingback chair and a bicycle would look like. I choose to use an indoor/outdoor fabric: Sunbrella Sun ' n' Shade Onyx.



Monday, April 16, 2012

Chair Card Extra Credit: Michael Thonet






        In 1842, Thonet recieved a patent for his steam bending process( Miller, 262).It was in 1859,  that  Thonet released what would be his one of his most famous pieces Chair No. 14 ( Fiell, 1000 Chairs, 44). In fact, Chair No. 14 still to this day  is noted as being one of the most successful industrial designed products of it's time (Fiell, Chairs, 148).
Chair No. 14






      It is believed that it was the simplified form of his furniture that allowed Thonet to successfully produce his design on a mass- production level (Fiell, Chairs, 148). As a designer, I feel that to be successful I must try to simply my design to form a design that conveys one clear concept. Simplicity is something that I continue to struggle with as a new designer.I  also love that the the chairs inner movement forces my eye to glide among the smooth curves of the furniture. As a recent novice with the wood shop I can appreciate the seamless craft associated with ever one of Thonet's designs.







Work Cited

  • Fiell, Petter and Charlotte, 1000 Chairs, Benedikt Taschen Verlag Gmbh, 2000.
  • Fiell, Petter and Charlotte, Chairs, Taschen Gmbh, 2001.
  • Miller, Judith, Furniture, Dorling Kindersley Limited, 2005.
  •  http://image.architonic.com/imgObj/phillips1203_sat/3101_0005_1_lg_sq.jpg

Blog Post 13: A Piece of Modern Architecture







When asked to talk about a piece of modern architecture I was interested in learning about local modern architecture. I was plesently surprised to discover that the triangle has the third highest concentration of modern homes next to Los Angeles and Chicago(http://trianglemodernisthouses.com/). I choose to talk about the Cassilhaus, aka Art House, built by architect Ellen Crozat Cassily. The house, built as Cassily's personal residency, is located in the woods of Orange county, located right outside of Chapel hill, NC. I find the use of  trapezoids, a geometric shape which was a major characteristic of early modern architecture, to be the dominate theme of the home. The Main house and the guest house divided into two separate units is similar to the the Pennzoil Place, Houston, Texas, designed by modernist Philip Johnson. 

Reading Response 13: Sculpted Modernism

Reading Response 13: Sculpted Modernism

Sculpted Modernism was a architectural movement associated with Late Modernism. The past forms of modernism associated with bland, vertical, machine like buildings composed of a steel frame and glass- sheathed were replaced by uniquely sculpted forms ( Roth, p. 572).The main goal of sculpted modernism was to create an architectural form that effectively communicated to the user ( Roth, p. 572).




Roofless Church, New Harmony, Indiana
  •  Curved shingled roof in a rose shape- a symbolic reference to the church
  • Delicate form- contrasted early modernism
  • Curves indicate movement














Pennzoil Place, Houston, Texas









  • Two Vertical structures- Early modernism comprised of a single form
  • Roof Tops sliced at vertical angle- Early modern building had a flat roof
  • Black Glass covers otter shell



















The Grand Louvre, Paris France
  •  Transparent
  • Pyramid Shaped
  •  Space frame truss 
  • Dark during the day and glows at night!
  • I believe the shape in meant to resemble a gem as a symbol of what is underneath.






 Today it is very common to see a sculptured form or sculptured entrance outside of a commercial buildings. I believe that sculptured modernism has had a lasting impression on today's design


Resources:
  •  http://www.free-photos.biz/images/architecture/architectural_elements/roofless_church_by_philip_johnson_in_new_harmony__indiana__united_states.jpg
  • http://www.hines.com/toolkit_images/Project%20Photos/Pennzoil%20Place/%20Pennzoil%20Place%20Signature_lres_web.jpg
  • http://www.smithinet.com/Louvre/images/pyramid2.jpg
  • Roth, Leland M., Understanding Architecture, 2nd ed., 2007.

Monday, April 9, 2012

DA 3: Reverberation of Well Designed Object


Reading Response 12: Frank Llyod Wright

Reading Response 12: Frank Lloyd Wright





      During Frank Lloyd Wright's career from 1867-1959 he designed over four hundred houses and over a dozen commercial buildings ( Ching, p. 694). I have choose a few of my favorites we are reading about in IARC 221:



Robie House, Chicago, Illinois

ROBIE HOUSE

  • Linear- roof extends dramatically out
  • Fire Place creates a strong center
  • Used contrasting color with the white trim
  • Personally designed all interior furniture







Taliesin West, Spring Garden Wisconsin




TALIESIN EAST

  •  "Natural House" ; It seems to be a part of the hill
  • Different Levels of scale
  • Horizontal
  • Made of natural material
  • designed landscape





FALLING WATER

  • Harmoniously built into the land
  • Linear: Horizontal  Dominance with  cylindrical under tones
  • Designed most of interior furniture
  • Natural color scheme



I personally got to visit Frank Lloyd Wright's Falling Water on a recent field trip. I found the structure to be truly inspirational. I especially appreciated Wright's affinity for detail. I found every  edges to me both meaningful and seamless in design.. One of my favorite aspects of the design was the use of two large existing boulder Wright  used as a natural cantilever to balance the weight of the  first floor. Through examination of Wright's work  I  have discover that design truly is limitless!


Resources:

  •  http://gowright.org/MoodleWright/file.php/1/Robie_House_Tour/robieHousepic1.jpg
  • Ching, A Global History of Architecture

Blog Post 12: "Good Design for All"

Blog Post 12: "Good Design for All"









I find the ramp to be a " good design for all", because it can be used by all. Weather you are physically impaired  or not, the ramp is easily accessible to all. I like this ramp in particular because it uses less material than the standard concrete filled ramp.

Blog Post 11: Moderism

Blog Post 11: Modernism

I find the One World Trade Center to be the a great representation of 21st century Modern Architecture.  I believe that an Eco-friedly building that is a symbol of peace is a perfect montra that USA needs for the 21st century!
One World Trade Center, New York, New York

Tuesday, April 3, 2012

Unit Summary 2: Reverberations

Unit Summary 2: Reverberations 



     Politically, as the Roman Empire was transformed into a Christian Empire, news ideals began to arise. In order to distinguish the new Roman Empire from it's past, Constantine borrowed of Greek architecture by selecting the basilica as the primary shape to be implemented in all future public buildings. Subsequent churches in the Western Part of the Roman Empire were built to follow Constantine basilica shape.


Santa Sabina, Rome














However, in the Western part of the  Roman Empire churches began  to be shaped on a centralized plan. Centralized shapes such as circular, octagonal, or square figures were used to mark scared places referred to as martyria ( Roth, p. 280).Often times, such marytia would be placed up against the basilica.In both designs, the exterior was left very plain. However, the interiors of the buildings were very ornate.





Exterior of Mausoleum of Constantinia, Rome





Interior of Mausoleum of Constantinia, Rome


 Across the globe the function of the church became more important in the design. For example, consideration of sound and light became increasingly more significant. Gothic Cathedrals solved past lighting problems by raising the ceiling with the introduction of  flying buttresses. Through the exchange of ideas brought on by the Crusades, cathedrals around the world  this time possessed very similar characteristic such as grand  cross shaped design, dramatic vertical shaped towers, and the use of stone and stained glass in an ornate manner.The only major differences of these Gothic cathedrals of this time was the whether the site was predetermined or not. Another notable difference is that English churches tended to be a bit more horizontal in design.







Notre-Dame de Ameins, France
     With the end of the Middle Ages came a new reform for the rebirth of the Classics known as the Renaissance ( Roth, p. 348) During the Renaissance, architects began to look backward toward  Roman architecture for inspiration and purpose.The architecture of the Renaissance would no longer point up ward, but would be balanced both vertically and horizontally in a clear mathematical manner. In contrast to the Gothic architecture, the new architecture would have clean lines, as well as, a rational sense of organization or order ( Roth,p 353). During the Renaissance, the idea of  documentation became important. Famous architects, artists, and scientists began to organize  and document the classic ideas of the time. One of the most influential  publication on architecture of this time was The Four Books of Architecture , by Andrea Palladio. In his books, Palladio outlined his classically influenced architectural principles and provided practical advice for designer( Roth, p 128).  I believe it is important to note that throughout the Renaissance and even still today you can see the influence Palladio has had on design.


La Rotonda, Vincenza, Italy


     The practice of classical design continued to be implemented and relished as "What Design Should Look Like". However, like all rules made, they will be broken! In the West the idea of " What Design Should Look Like", was still being explored.The desire for an emotional impact from design and thus a movement away for an intellectual impact led to the Baroque Period.  Baroque architecture is often characterized by elaborate, grandiose, and ambiguous in nature. In fact, Baroque architecture was deliberately made complex ( Roth,p. 398). In the West another movement known as the Rocco movement was being explored. Although Rocco architecture was ornate, it consisted of much lighter lines and  lighter color pallets then the Baroque architecture. Another principle associated with Baroque  and Rocco architecture is a sense of movement.. The Rocco interiors became very prevalent in  Western residential homes ( Roth, p. 430).

                     

  Baroque
Interior: Palace of Versailles, Versailles, France


Rocco
Interior:Salon de Princesse, Hotel de Soubise, Paris, France



Post Baroque and Rocco design once again reverberated classical design in the in both France and England. Around this time, occupant of the newly formed United States are looking back towards the classics, as well as, Palladio for assistance in shaping it's own architecture identity, Thus, the Greek Revival, also known as the Grecian Style, was born! Evidence of the impact the Classics had on the USA is still  prevalent in present day design.Below are pictures of a houses that you would see in almost in neighborhood in the United States today. Although slightly modified, notice that they all consist of a portico and columns. Funny how it always seems to go back to the basics, Isn't it?


Portland, Oregon





Tilley Raymond House, Worcester, Massachusetts




Salt Point, New York






UNCG, Greensboro, North Carolina





















References:
  • http://www.sacred-destinations.com/italy/images/rome/sabina/resized/xti_9457cpa80.jpg
  • http://www.kevinmckayart.com/iWeb/Kevin%20McKay%27s%20Art/Rome%20IV_files/droppedImage_19.jpg
  • http://www.roma-online.com/roma/visitare.roma/images/Chiesa/mausoleo-santa-costanza-rome1.jpg
  • http://upload.wikimedia.org/wikipedia/commons/thumb/7/75/Amiens-cath%C3%A9drale.jpg/250px-Amiens-cath%C3%A9drale.jpg
  •  http://blacknuba.files.wordpress.com/2010/12/villa-rotonda-andrea-palladio.jpg
  •  http://i.telegraph.co.uk/multimedia/archive/00803/The-palace-of-Versa_803299c.jpg
  •  http://www.theslideprojector.com/images/rococo/boffrand/salondelaprincesse2.jpg
  •  http://www.wentlinghouseplans.com/photos%20for%20pl%20pages/greek%20revival%2001.jpg
  •  http://www.oldhouseonline.com/wp-content/uploads/2010/09/greek-revival-addition-exterior.jpg

Monday, April 2, 2012

Readin Response 11: Arts and Crafts

Arts and Crafts

The Arts and Crafts Movement originated as a direct result of the industrial advances in during the late Victorian Period . In the 1860s English designer and artist William Morris proposed that architecture / design should be more like the Gothic movement. Morris believed that Gothic architecture was superior because it was handmade by craftsmen and not mass produced by a machine ( Roth, p. 493). Although Arts and Crafts design does not have any set of particular rules, it is however powered by the philosophy that well design is a result of hard work and craftsmanship. Common characteristics include simple, well designed, hand made artifacts.Below, is a picture of one of the first Arts and Crafts home that William Morris, along with architect Phillip Webb, built for himself.




Red House, Bexley Heath, England. Designed By William Morris and Phillip Webb



  • Exterior:Made of exposed Natural Brick/ coated with stucco
  •  Interior:
    •  Wood Molding
    • Hand Made Built- In furniture
    • Hand Made free standing furniture
    • Simple, flat foliage wall paper


 





The Deanery, Sonning Berkshire, England. Designed By Sir Edwim Lutyens







    • Made of red brick 
    • Red tile roof
    • Geometric Shapes




















These are a few of the Arts and Crafts Style home you see today.........

 




Resources:
  • Leland Roth, Understanding Architecture, 2ed. 2006
  • http://www.metmuseum.org/toah/hd/acam/hd_acam.htm
  • http://www.ontarioarchitecture.com/arts/artsredhouse.jpg
  • http://craftsmanhomeplans.org/wp-content/uploads/2011/10/arts-and-crafts-homes.jpg
  • http://www.front-porch-ideas-and-more.com/images/bungalow-homes-5.jpg
  • http://www.ramseybuilding.com/arts-crafts/fullsize/arts_and_crafts_style_homes_01_fs.jpg

   

Wednesday, March 28, 2012

Reading Response 10: Neoclassicism

Neoclassicism

The idea of Neoclassicism emerged in the early 1700s. Neoclassicism refers to an Enlightenment- driven movement the emphasized the significance of reason, order, and civility ( Ching, p. 605). Neoclassical Architecture was a counter to the designs associated with the Rocco and the Baroque ornate style. For example, it moved away from the curves  towards a more rectilinear design ( Ching, p. 605).

In England, Neoclassic Architecture was being built primarily by the upper in the private sectors( Ching, p.610). Whereas in France, Neoclassicism was associated with the Enlightenment , as well as, the French Revolution- thus possessing a civic connection ( Ching, p. 605). Lastly in Germany, Neoclassic architecture expressed the rise of the nation-state ans therefore was the style chosen to represent it's new public institutions such as, schools, museums, and theaters ( Ching, p 605).




Kenwood House, Hampstead, London

  • Linear
  • Stripped of decoration/ plain
  • Residential Building














 
Arc de Triomphe, Paris , France



  • Civic Monument 
  • Sense of Balance






















Befreiungshalle Hall of Liberation Kelheim, Germany

  • Public Hall/ Museum
  •  Designed by neoclassic architect Leo von Klenze 
  • Harmonious





 References:
  • Ching, France D., A Global History of Architecture, 2nd ed, 2010.
  •  http://upload.wikimedia.org/wikipedia/en/b/b3/Befreiungshalle_Hall_of_Liberation_Kelheim-edit.jpg
  •  http://www.visitingdc.com/images/arc-de-triomphe-picture.jpg
  •  http://www.hampsteadheath.org.uk/kenwood/house.jpg
  •  http://en.wikipedia.org/wiki/Neoclassical_architecture